With Love, Mostly

Tetz Agustin · A small, warm corner

Colophon & Style Guide

How this place was set.

A colophon is the note at the back of a book that tells you what type it was set in, on what paper, by whom. This one doubles as a style guide, so that if I ever hand the site off to a designer or a VA they have somewhere honest to start. If you're a reader who wandered in and just wanted a look at the fonts — hi, welcome, here you go.

Reference

Literary. Collectible. The kind of book spines you'd keep as trophies even unread. Warm and unhurried — the kind of place that assumes you'll stay a while, not scroll past. Autumnal. In-between, on purpose — because the work is about the in-between too. A little bit Wonderland: falling somewhere strange and finding your way back closer to yourself.

Palette

A dark forest green anchors the whole thing. Warm supporting notes in butter yellow, beige, and (only around the newsletter) baby pink. Deeper accents in burgundy, dark brown, and a muted pistachio when something needs to sit up straight. Black and warm white hold the edges. Everything else on the page is one of these.

  • ForestAnchor
  • PistachioAccent
  • BurgundyAccent
  • Dark BrownBody
  • ButterSupporting
  • BeigeSupporting
  • Baby PinkNewsletter only
  • Warm WhitePaper
  • BlackEdges

Type

Three faces, deliberately mixed. Not minimal — maximalist in the way an old library is maximalist. Each one has a job.

Display Serif

A small, warm corner of the internet.

A curvy, epic, literary serif. Reserved for the parts of the page that want to feel like the first line of a novel — page titles, section headings, and the wordmark. Used sparingly, so it keeps its weight.

Body & Navigation

The house speaks in this voice, mostly — long letters, short notes, and everything in between.

A clean, literature-coded sans. Does the everyday work — body copy, navigation, eyebrows, small caps. The quiet scaffolding that lets the display face be dramatic.

Handwritten Accent

— with love, mostly —

A human hand where a machine would feel wrong. Highlights, asides, dated notes, the signature line at the foot of a piece. Used sparingly, on purpose.

Ornament & Texture

Section dividers borrow from a small Alice-in-Wonderland asset set — a lace border with rosette accents, a hand-drawn scroll, the occasional teapot. Under everything, a very quiet paper grain so nothing sits on glass.

Set in the year of the rebuild.